Alexander Nasmyth

Scottish Painter, 1758-1840 was a Scottish portrait and landscape painter, often called the father of Scottish landscape painting". Edinburgh Castle and Nor'Loch, circa 1780.Born in Edinburgh, he studied at the Royal High School and the Trustees Academy under Alexander Runciman, and, having been apprenticed as an heraldic painter to a coachbuilder, he, at the age of sixteen, attracted the attention of Allan Ramsay, who took the youth with him to London, and employed him upon the subordinate portions of his works. Nasmyth returned to Edinburgh in 1778, and was soon largely patronized as a portrait painter. He also assisted Mr Miller of Dalswinton, as draughtsman, in his mechanical researches and experiments; and, this gentleman having generously offered the painter a loan to enable him to pursue his studies abroad, he left in 1782 for Italy, where he remained two years. Robert Burns, 1787.On his return he painted the excellent portrait of Robert Burns, now in the Scottish National Gallery, well known through Walker's engraving. Political feeling at that time ran high in Edinburgh, and Nasmyth's pronounced Liberal opinions, which he was too outspoken and sincere to disguise, gave offence to many of his aristocratic patrons, and led to the diminution of his practice as a portraitist. In his later years, accordingly, he devoted himself mainly to landscape work, and did not disdain on occasion to set his hand to scene-painting for the theatres. He has been styled, not unjustly, the father of Scottish landscape arte His subjects are carefully finished and coloured, but are wanting in boldness and freedom.


       Prev  1  2   Next
  Prev Artist       Next Artist     

   
    

Alexander Nasmyth Castle Huntly. oil


Castle Huntly.
Painting ID::  32814
Castle Huntly.
mk81 c.1810 Perthshire
mk81 c.1810 Perthshire
   
   
     

Alexander Nasmyth The Family of Neil 3rd Earl of Rosebery in the grounds of Dalmeny House oil


The Family of Neil 3rd Earl of Rosebery in the grounds of Dalmeny House
Painting ID::  48457
The Family of Neil 3rd Earl of Rosebery in the grounds of Dalmeny House
mk190 West Lothian c.1787
mk190 West_Lothian c.1787
   
   
     

Alexander Nasmyth robert burns oil


robert burns
Painting ID::  56151
robert burns
mk247 1787,oil on canvas,15x12.625 in,38x32 cm,scottish national portrait gallery,edinburgh,uk
   
   
     

Alexander Nasmyth A Leningrad Theme oil


A Leningrad Theme
Painting ID::  74336
A Leningrad Theme
A Leningrad Theme cyf
A_Leningrad_Theme cyf
   
   
     

Alexander Nasmyth At the Isaakievskaya Square in Leningrad oil


At the Isaakievskaya Square in Leningrad
Painting ID::  74337
At the Isaakievskaya Square in Leningrad
At the Isaakievskaya Square in Leningrad cyf
At_the_Isaakievskaya_Square_in_Leningrad cyf
   
   
     

       Prev  1  2   Next
Prev Artist       Next Artist     

     Alexander Nasmyth
     Scottish Painter, 1758-1840 was a Scottish portrait and landscape painter, often called the father of Scottish landscape painting". Edinburgh Castle and Nor'Loch, circa 1780.Born in Edinburgh, he studied at the Royal High School and the Trustees Academy under Alexander Runciman, and, having been apprenticed as an heraldic painter to a coachbuilder, he, at the age of sixteen, attracted the attention of Allan Ramsay, who took the youth with him to London, and employed him upon the subordinate portions of his works. Nasmyth returned to Edinburgh in 1778, and was soon largely patronized as a portrait painter. He also assisted Mr Miller of Dalswinton, as draughtsman, in his mechanical researches and experiments; and, this gentleman having generously offered the painter a loan to enable him to pursue his studies abroad, he left in 1782 for Italy, where he remained two years. Robert Burns, 1787.On his return he painted the excellent portrait of Robert Burns, now in the Scottish National Gallery, well known through Walker's engraving. Political feeling at that time ran high in Edinburgh, and Nasmyth's pronounced Liberal opinions, which he was too outspoken and sincere to disguise, gave offence to many of his aristocratic patrons, and led to the diminution of his practice as a portraitist. In his later years, accordingly, he devoted himself mainly to landscape work, and did not disdain on occasion to set his hand to scene-painting for the theatres. He has been styled, not unjustly, the father of Scottish landscape arte His subjects are carefully finished and coloured, but are wanting in boldness and freedom.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings